Advanced Search

Journal Navigation

Journal Home

Subscriptions

Archive

Contact Us

Table of Contents

Click here to sign up for SAGE Journal Email Alerts today!

Sign In to gain access to subscriptions and/or personal tools.
Ethnicities
This Article
Right arrow Full Text (PDF)
Right arrow References
Right arrow Alert me when this article is cited
Right arrow Alert me if a correction is posted
Services
Right arrow Email this article to a friend
Right arrow Similar articles in this journal
Right arrow Alert me to new issues of the journal
Right arrow Add to Saved Citations
Right arrow Download to citation manager
Right arrowRequest Permissions
Right arrow Request Reprints
Right arrow Add to My Marked Citations
Citing Articles
Right arrow Citing Articles via Scopus
Google Scholar
Right arrow Articles by Miera, F.
Right arrow Articles by Sala Pala, V.
Social Bookmarking
 Add to CiteULike   Add to Complore   Add to Connotea   Add to Del.icio.us   Add to Digg   Add to Reddit   Add to Technorati   Add to Twitter  
What's this?

The construction of Islam as a public issue in western European countries through the prism of the Muhammad cartoons controversy

A comparison between France and Germany

Frauke Miera

European University Viadrina, Frankfurt (Oder), miera@euv-frankfurt-o-de, miera{at}network-migration.org

Valérie Sala Pala

University Jean Monnett, Saint-Etienne, vsalapala{at}aol.com

This article aims to analyse the way in which the so-called Muhammad cartoons controversy was constructed as a public issue in France and in Germany. We study the reactions of different main actors participating in the definition of this event as a social problem, in particular the media, politicians and intellectuals, as well as Muslim organizations. We ask to what extent national contexts impact on the construction of the debates around religious pluralism and more widely around multiculturalism. The case of the cartoons controversy seems to illustrate a shift towards (re-)codifying migrants and minorities on the lines of culture and religion as the ‘Muslim other’, which coincides with the international debate on the antagonism between Islam and the western world. This may be interpreted as a sign of convergence. Still, national legacies shape these overlapping discourses on national identity, belonging, and valid norms and values.

Key Words: Danish cartoons • France • Germany • Islam • media • multiculturalism • public issue • secularism

Ethnicities, Vol. 9, No. 3, 383-408 (2009)
DOI: 10.1177/1468796809337430


Add to CiteULike CiteULike   Add to Complore Complore   Add to Connotea Connotea   Add to Del.icio.us Del.icio.us   Add to Digg Digg   Add to Reddit Reddit   Add to Technorati Technorati   Add to Twitter Twitter    What's this?